But I can’t imagine him not playing ‘cause I think that his soul is fed by playing and it may be that he was feeling a little unsatisfied in his soul with what was happening at some point or whatever; I don’t know what his reasons are, but I’m sure he’ll be back. Evans would join Miles Davis’s band in April, 1958, replacing pianist Red Garland. He may have heard it in the WKCR archives. In the summer of 1979, my good friend from Phoenix, the great drummer Lewis Nash (then 20 years old) was staying with the family of a friend of his in Bronxville, N.Y., and studying with Freddie Waits, Billy Hart, and Andrew Cyrille, and hearing as much music as possible. And that’s what he got to, I guess, by this time. Please click on image to be redirected to Ricardo's website for order information. Here is the interview with Bill Evans, originally transcribed and published online by Allan Chase. He was more or less withdrawn, plus sort of off to the side of the bandstand, sort of half, not fumbling exactly, but just sort of searching. The way he approached it, the sound he got was like crystal notes or sparkling water cascading down from some clear waterfall. In a review of his book, I wondered whether Dyer would have been similarly drawn to musicians such as Henry “Red” Allen, Dizzy Gillespie, and Red Norvo, no less brilliant, who seem to have led balanced, eminently non-neurotic lives.”, Hi Steven, You don't know me - and I don't really know you, but I’ve been enjoying your Jazz Profiles blogspot for some time now. I was living in Philadelphia, starting a PhD program at Penn in music history and theory that I soon decided was not for me. For people that are considered to be the most unstable, undisciplined members of society, the fact is that they bring to bear a kind of a discipline on their work that is practically unparalleled. A fantastic read, very enjoyable. And I don’t know who all he listened to, but that’s the way he would sort of pick up things, and I don’t think; I think he certainly did listen. But it turns out to be a very key thing, something that changes the character of the whole thing. That “stylist” almost seems to have a rather limiting kind of quality to it. It certainly has been a strong album, and an album I was very proud to be part of. And that’s what he got to, I guess, by this time. Bill Evans with Tony Bennett on Johnny Carson's Tonight Show 10/27/75. Secondly, the reason for me writing you is that I’ve been quite busy organizing my jazz collection and have compiled and uploaded a handful of homemade radio shows on the podcast platform Mixcloud. William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who mostly played in trios. Well, we know you’re in a hurry, and we’ve been here, and it’s been a really fascinating, great conversation. It was one of his last performances with his group, before it kind of went into, before he stopped performing publicly. Stream ad-free or purchase CD's and MP3s now on Amazon.com. I thought maybe instead of doing one ostinato, we could move through two or three or four or five different levels that would relate to each other and make a cycle, and he agreed, and we worked at it at the piano until we arrived at the five levels that we used. : Yeah, Kind of Blue is it, that’s what I understand, yeah. (Lester Bowie’s was like a favorite comedy record — hilarious as well as insightful). : Well, that’s a simple way to say it. : Oh, I first heard Miles on the very first records he made. And actually, he is virtuosic, certainly, and in the best sense of the word. (1964) Trio 64 (1964) Nirvana (1964) Trio 64 is an album by American jazz musician Bill Evans, released in 1964. In the summer of 1979, my good friend from Phoenix, the great drummer Lewis Nash (then 20 years old) was staying with the family of a friend of his in Bronxville, N.Y., and studying with Freddie Waits, Billy Hart, and Andrew Cyrille, and hearing as much music as possible. I'm Sam Bush's Road Manager and I was the FOH mixer and recorded and mixed Bill Evans' show at Rhythm & Brews in Chatanooga on 11/12/08. I came across a blog curated by music college administrator and blogger Allan Chase with a detailed interview with pianist Bill Evans. That’s about it.”. “Bill had this quiet fire that I loved on piano. traditional chord changes…, Yeah, mm-hmm. I had the privilege of hearing Bill Evans live many years ago. Some people try to be a stylist by being eccentric, and that’s not really being a stylist. And certainly, some of his greatest talents are as a leader and as a person that can perceive talent and potential in people, which is proven out by all of the wonderful talents that have gone through his group. I could hear it in Marvin Gaye’s music years down the road; Little Anthony and the Imperials, jazz, soul, pop, they all owed Evans a firm handshake. Bill Evans Interview – On Icewind Dale 2. Well, that’s what I’ve been hearing too, and I think it may be true because, first of all, I don’t; Miles is a player and I can’t imagine him not playing. So, I’m sharing it here. I think that’s like downplaying it a little bit. But that's just the point: the music can't be subtracted: it's the defining essence, which sets musicians apart, makes them special and ultimately a little mysterious. But what Philly said alarmed me, so Philly says, “I’ll meet you over there.” I said, “Great.” So, I went over there expecting Joe to be there already, but Joe hadn’t arrived, and didn’t during the time I was visiting. Icewind Dale 2 is a multiplayer game developed by Black Isle Studios and published by Interplay Entertainment. For years, I wasn’t sure about whose recordings these were and how to respond to many requests to share them. No, we never talked about things like that, and I don’t think Miles talks about things like that with anybody. There’s a common thread of avoiding stock harmony. For instance, on. Bill Evans Time Remembered is a 90-minute documentary film, ... That interview alone could have served as the theme and guiding hand of a film probing the art of perhaps the most notable "romantic poet" in the music's history. Evans moved us into the modern piano era with follow-ups: Waltz for Debby, Portraits in Jazz, Sunday at the Village Vanguard, Undercurrents. Yeah, that’s a tremendous maturity, and yeah, it is, it certainly is. So, I love the idea of it. So, it was all just rumor. Reading Simon Spillett on the subject of Jazz tenor saxophone is the... © -Steven Cerra, copyright protected; all rights reserved. It certainly has been a strong album, and an album I was very proud to be part of. We both listened to these interviews so much that we memorized them. And certainly, some of his greatest talents are as a leader and as a person that can perceive talent and potential in people, which is proven out by all of the wonderful talents that have gone through his group. He’s a guy that will turn his mind toward certain areas of music or certain people and decide that there’s somebody or something or an area of music that he can learn from, and then he will. I always like people who have developed long and hard, especially through introspection and a lot of dedication. where just one note contains so much meaning that you just can hardly believe it. But I understand that Gil and he are involved in some kind of a project now to record, or to record and tour, or something. : Yeah, it’s sort of like a magic thing. Other than that, the charts were just spoken, just saying like “play this figure,” “you play this note, you play this note.”. Like, Freddie the Freeloader, So What, and All Blues, there was nothing written out on. And you can’t, like if you compose, you could sit down, if you don’t feel like it today, come back tomorrow, and after six months you might have ten minutes of music. The second interviewer was Eddie Karp (according to Ashley Kahn), and the only known broadcast was July 4, 1979, on WKCR-FM in New York City, as part of the 126-hour Miles Davis Festival. During this period Evans’s opportunities and focus on his own career would lead him to depart the group, then rejoin in early 1959 for the recording of Davis’s epic. He’s a guy that has always worked hard to dig deeper into himself and to look into music and he respects music a great deal and that same kind of thing happens.
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